Inside a Creatively Reimagined Connecticut Country Escape
The august English writer and critic Samuel Johnson once opined, “The two most engaging powers of an author are to make new things familiar and familiar things new.” Johnson’s maxim finds eloquent expression in the captivating Connecticut home of Jane Keltner de Valle, cofounder of children’s skin care line Paloroma (and AD’s former style director), and her husband, AD100 designer Giancarlo Valle. Together, the dynamic couple have conjured a vision of classic New England charm animated by a wholly contemporary spirit—a marriage of the familiar and the novel that speaks to their professional pedigrees, their personal passions, and the spirit of their young family. It is also a testament to the twin virtues of innovation and restraint, inspiration and ease.
The site for the Valles’ adroit balancing act is a stalwart 1863 house, painted crisp white with dark green shutters, which once served as a parsonage for the town’s historic Greek Revival church. Trim and subdued, the original, essentially cubic structure has a wood-paneled living room added in the 1920s and a kitchen extension built in the 1970s. “We loved the proportions. It felt very modern in its simplicity. It’s gracious, but not in an overdone kind of way—elegance without the frills,” Giancarlo says of the home’s appeal. “The house was well-loved, and you could feel the good energy,” adds Jane. “It had an unimposing formality that we tried to maintain. Even as we put our own stamp on it, we wanted the house to remain as it has always been.”
That meant no anachronistic Pilates studio or open-plan kitchen, no hammam, and no marble-clad bathroom large enough to host an ice cream social. Yet within the house’s rooms, the couple teased a palpable sense of wonder and delight through discreet decorative gestures that put an entirely new complexion on the traditional architecture. Naturally, examples of Giancarlo’s own furniture designs buoy the winsome ambience: the toothsome chunkiness of his dining room sideboard; the insouciant curves of his living room sofa; and the custom kitchen island inlaid with delft tiles, to name just a few. In the primary bedroom and bath suite, he added attenuated, branch-form columns that introduce a note of fairy-tale forest magic to the sprightly mix.
Many of the pieces were crafted in a makeshift woodshop set up in the garage, including a series of boxy sconces knocked up from scrap wood. “Fabricating things on-site made them feel even more special and connected to the life of the house,” the designer notes. “My dream is to turn our dilapidated barn into a proper woodshop and guesthouse, but that’s going to have to wait until we catch our breath.”
Contributions by friends and colleagues underscore the feeling that the renovation is truly a family affair. Designer Minjae Kim, who once worked in Giancarlo’s studio, is represented by wood benches he fashioned for the couple’s two children, one inscribed “PV” for daughter Paloma and the other “RV” for their son, Roman. The work of designers Aaron Aujla and Benjamin Bloomstein of Green River Project, fellow members of the AD100, appears throughout the house, notably in the signature raffia-festooned club chairs that enliven the living room, and the dining room table incised with an outline of the Green River in upstate New York, which meanders through Bloomstein’s family property. (“The kids use it as a track for marbles,” Jane offers.) The dining room walls are adorned with medallions by ceramist Matt Merkel Hess, representing local flora and fauna, including moths, leaves, horses, birds, acorns, and even ticks, the scourge of Connecticut.
Of course, Jane’s incisive eye and deft touch are unmistakable in the house’s sophisticated color palette, the chic yet unpretentious fabrics and finishes, and the array of antiques and vintage treasures, many collected from local shops and auction houses as well as sources in New York and abroad. Her own childhood desk and dollhouse add a decidedly personal, nostalgic flourish to Paloma’s fetching bedroom. “The look is very traditional, East Coast country-club vernacular—stripes and splashes of hunter green—but all filtered through our lens,” Jane says, describing the aesthetic sensibility that permeates the home. “The process was a true collaboration in every sense, and a chance for Jane to really flex her design muscle,” Giancarlo adds, tipping his hat to his estimable wife. “It was also a unique opportunity to create a home that blends our worlds together.”
That blending has indeed paid handsome dividends in scenes of pure domestic bliss. “So many memories have been made here: Christmases, Easter egg hunts, birthdays, summer garden parties with bouncy houses and cornhole. The children already feel a real connection to this place,” Jane attests. And what better seal of approval could one ask for?
Jane Keltner de Valle and Giancarlo Valle’s Connecticut home appears in AD’s November issue. Never miss an issue when you subscribe to AD.